Musée parc Louvre Lens - 9a Biennal 2016

Catherine Mosbach

The Louvre lens introduce the capacity to change over from economic production to an economy regenerated by a way of inhabiting and revisiting the memories of an area in contact with the memories of art and culture in the broad sense.

The park is joined to the territories at 4 cardinal points, by what remains of the ‘rider seams’ as the principal alley. As such the museum park irrigates the country in-depth the same as the garden cities so singular are all brought to the threshold of the museum.

This elongated form, print of the distribution method of flows, deflected the manner of installing itself in the ground plate. It is then a question of articulation the vegetable dynamic that primed the attractively of the terrain, the cultural dynamic with the museum and the living memory of the mining based of the cycle of plant materials to valued oils as an economic resource, then in an inverted symmetry, of the oil to the valued plant as heritage resource.

The louvre lens park restores the disturbed link between skin (recording surface) and depth (resource of yesterday and tomorrow). It opens the door to future ages by introducing the arts as mediators of all the ages and as bridges to new mentalities.

The spatial viewpoint energizes the suspension of air between shadow and light, between curves of edges and emptiness of clearings. It combines form and movement, matter and time, visitor and garden in accordance with choreography on the scale of the migrations over the area.

Autors

Catherine Mosbach

Mosbach paysagistes

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