Barcel/on/a/line. Green urban strategies from river to river
School of Architecture UIC Barcelona
http://www.uic.es/ca/exposicio-final-grau-arquitectura
Del Dijous, 19 juliol, 2018 - 19:00 fins Dijous, 26 juliol, 2018 - 20:00
Butlletí:
Exposición de fotografías “Viaje a Bélgica, RCR”
Imatge:
© Narcís Reverendo
Durante los días 29, 30 de junio y 1 de julio, el Departamento de Cultura de la Demarcación de Girona del COAC organizó una escapada a Bélgica para visitar, entre otros, el Crematorio de Hofheide y la Mediateca en Gante, de 2013 y 2017 respectivamente, situadas en la región de Flandes, del despacho RCR Arquitectos.
Con las fotografías de los participantes se ha organizado una muestra fotográfica que resume la experiencia de los participantes en los diferentes entornos que se recorrieron. Un itinerario que partió de la ciudad de Bruselas, concretamente del barrio de Ixelles, con diferentes obras del Art Nouveau de autores como Víctor Huerta y Paul Hankar entre otros.
El segundo día, dedicado al despacho RCR, empezó visitando el Crematorio de Hofheide, situado en una cuenca pantanosa de la región flamenca. Seguidamente el grupo se trasladó Gante, adentrándose hasta el barrio céntrico de Waalse Krook para llegar a la Mediateca, que inauguraron justo después de recibir el premio Pritzker. Para acabar de cerrar el círculo, la jornada finalizó con la visita de la capilla de Kerselare de Juliaan Lampens.
El viaje acabó en la ciudad de Amberes, visitando obras como La Maison Guiette de Le Corbusier, las oficinas portuarias de Zaha Hadid y el Museo ann de Stroom de Neutelings Riedjik Architects.
Las fotografías de la muestra son de los arquitectos: Francesc Haro, Jordi Crous, Juli Llueca, Jaume Mollfulleda, Noèlia Baldayo, Narcís Reverendo, Josep Boada, Pep Canaleta, Sílvia Musquera y Toni Vilanova.
Exposició de fotografies "Viatge a Bèlgica, RCR"
Imatge:
© Narcís Reverendo
Durant els dies 29, 30 de juny i 1 de juliol, el Departament de Cultura de la Demarcació de Girona del COAC va organitzar una escapada a Bèlgica per tal de visitar, entre d’altres, el Crematori de Hofheide i la Mediateca a Gant, de 2013 i 2017 respectivament, situades a la regió de Flandes, del despatx RCR Arquitectes.
Amb les fotografies dels participants al viatge s’ha organitzat una mostra fotogràfica que resumeix l’experiència dels participants en els diferents entorns que es varen recórrer. Un itinerari que va partir de la ciutat de Brussel·les, concretament al barri d’Ixelles, amb diferents obres de l’Art Nouveau d’autors com Víctor Horta i Paul Hankar entre d’altres.
El segon dia, dedicat a RCR, es va començar visitant el Crematori de Hofheide, situat en una conca pantanosa de la regió flamenca. Seguidament el grup va traslladar-se Gant, endinsant-se fins al barri cèntric de Waalse Krook per arribar a la Mediateca, primera obra inaugurada després de l’atorgament a l’estudi olotí del premi Pritzker. Per acabar de tancar el cercle, la jornada va finalitzar amb la visita de la capella de Kerselare de Juliaan Lampens.
El viatge va cloure amb la visita a Anvers, fent aturades puntuals a diferents obres com La Maison Guiette de Le Corbusier, les oficines portuàries de Zaha Hadid i el Museu ann de Stroom de Neutelings Riedjik Architects.
Les imatges pertanyen als seus autors: Francesc Haro, Jordi Crous, Juli Llueca, Jaume Mollfulleda, Noèlia Baldayo, Narcís Reverendo, Josep Boada, Pep Canaleta, Sílvia Musquera, Toni Vilanova.
Exhibition: 'COAC.16 Collections / The Universal Exposition of 1888'
Imatge:
© Arxiu Històric del Col.legi d'Arquitectes de Catalunya
From 19 July you can visit the seventh exhibition in the 'Collections' series of COAC’s Historical Archive, which commemorates 130 years since this key event in Barcelona's history and features a large selection of documents.
130 years ago, the city of Barcelona, which had thrown down its walls and expanded across the plain thanks to the adoption of Ildefons Cerdà’s urban plan, was ready to take another step forward with the organisation of the Universal Exposition of 1888.
Through the Exposition, Barcelona showcased its dynamism, the drive of its middle classes, supported by a powerful industrial sector, and the ability to generate forward-looking projects for large tracts of society at that time.
In the sphere of architecture, it is worth highlighting the generalised use of iron—which previously had been used in the construction of bridges, railway stations and markets—and the as-yet early emergence of the Catalan Art Nouveau style (classified as proto-Modernisme) that could be perceived in some buildings.
The Universal Exposition of 1888 was the first project to generate changes at many levels of the city, and was followed by similar impacts from the International Exposition of 1929 and the organisation of the Olympic Games in 1992.
The plans on display are from the collection of Elias Rogent Amat, the architect who directed work at the Universal Exposition, and were donated by his family to the COAC’s Historical Archive in 1969. The exhibition also features documents from the photography collections of the COAC’s Historical Archive.
To properly conserve the documents, they have been copied and reproduced as facsimiles so that now, 130 years later, they can be viewed without any risk of damage.
With the support of:
130 years ago, the city of Barcelona, which had thrown down its walls and expanded across the plain thanks to the adoption of Ildefons Cerdà’s urban plan, was ready to take another step forward with the organisation of the Universal Exposition of 1888.
Through the Exposition, Barcelona showcased its dynamism, the drive of its middle classes, supported by a powerful industrial sector, and the ability to generate forward-looking projects for large tracts of society at that time.
In the sphere of architecture, it is worth highlighting the generalised use of iron—which previously had been used in the construction of bridges, railway stations and markets—and the as-yet early emergence of the Catalan Art Nouveau style (classified as proto-Modernisme) that could be perceived in some buildings.
The Universal Exposition of 1888 was the first project to generate changes at many levels of the city, and was followed by similar impacts from the International Exposition of 1929 and the organisation of the Olympic Games in 1992.
The plans on display are from the collection of Elias Rogent Amat, the architect who directed work at the Universal Exposition, and were donated by his family to the COAC’s Historical Archive in 1969. The exhibition also features documents from the photography collections of the COAC’s Historical Archive.
To properly conserve the documents, they have been copied and reproduced as facsimiles so that now, 130 years later, they can be viewed without any risk of damage.
With the support of: